This might arguably be the most important concept to get right about your writing. The four elements of storytelling are an absolute must. They are physical, intellectual, emotional, and spiritual. Yes, P.I.E.S. Yum! How well a writer weaves together all four, is the difference between a great and terrible book.

Physical storytelling is the action and plot in your story. These are character descriptions, actions, story events, setting, conflict, resolution, and plot twists and turns. These are essential within every story.

But what is not physical storytelling? I am glad you asked. What is not physical storytelling is what a character is thinking, how they are feeling, goals, dreams, etcetera. I repeat, none of those are part of physical storytelling.

Intellectual storytelling is your characters analytical thoughts. These are character beliefs, understanding of the conflict, personal opinions about other characters (life, love, politics, etcetera), and of course your characters’ viewpoint. Pro tip here, ideally your characters viewpoints will conflict. Tension is everything in creative writing. Intellectual storytelling adds that element of tension because your characters will often have different thoughts and viewpoints, which clash until a resolution at the end. For more on creating characters see my post, Create Captivating Characters.

Things that are not intellectual storytelling is feelings, fears, what makes a character happy, and what they hope or dream for. Those are all wonderful things, and they have their place. But do not confuse them with intellectual storytelling. Everything has its place. Again, we will talk weaving at the end.

Emotional storytelling. Every writer has a particular strength, and this is my wheelhouse. I love revealing my character’s emotions. But what is emotional storytelling? Again, I am glad you asked. Emotional storytelling is your characters’ inner most feelings, dreams, hopes, how they react emotionally, how a character feels about an event in the story, and how your character will feel about other characters. Through your character’s emotions, your story will make the readers feel something. This is where you will find the pulse in my art. I get hot just writing about it. If you do this right, you can change a reader’s life.

Things that are not emotional storytelling are plot, actions, details of conflict and resolution, any ramifications of the conflict, or what what your character believes about anything. Keep in mind, you already know how to write all of this, it is intuitive. But being able to understand the difference, will allow you authority over your prose. As in, your characters will never run away from you and do their own thing. Which sadly happens all too often.

Spiritual storytelling. I am going to pause here for a second. Many of you might say, how is spiritual not part of intellectual? And I would say, great question. The reason spiritual storytelling has its own place is because every character has a spiritual nature. Now that can mean your character is religious or not religious, but either view is a spiritual viewpoint. Atheist have a spiritual relationship, in that they deny one exists. Muslims have a spiritual relationship, in that they believe their choices have tangible consequences, and etcetera. Spiritual storytelling is simply your characters’ belief system or lack of one. Either perspective is a willful decision by your character. Good characters are human; they are walking contradictions.

Things that are elements of spiritual storytelling is a characters’ belief system (or lack of ), a possible spiritual backstory, and any internally or publicly spoken prayers. If you are writing religious fiction, or from a religious point-of-view, things like a god’s response to your characters actions (usually written in italics), a spiritual conviction, and hints as to why a certain deity is pursuing your character or vice versa.

Things that are not spiritual storytelling is plot, emotions, dialogue and action, etcetera.

When writing creative fiction or nonfiction, only spiritual storytelling is non-essential. You can still have a great story, leaving out anything of the fantastic (fantasy) or spiritual. But note, spirituality is a very human trait. Some might be religious-like observers of science (that would fall under spiritual). Spiritual storytelling is a great way to connect a character to the reader. But, again, this is the only element of storytelling, that is non-essential.

Weaving all four elements of storytelling is the mark of a good writer. Every page will, in every book, have all four elements together.

As you can see, I still have a ways to go with my craft. But I was brave, and wanted to share my prose with you. One reason, it incorporates all four elements of storytelling. Yes, it flows without you even noticing. And the one thing a writer wants more than anything, is for a general reader to never notice the writing. But writers do notice writing, and I hope you the writer can see the weave.

I would love to hear your thoughts. Especially, if you are a writer or want to be a writer. Please comment and share my blog. I love sharing the things I am learning at Liberty University. And now, more than ever, dealing with family grief, I am in need of some encouragement.