Revision, Start Learning to Love It

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“If you haven’t surprised yourself, you haven’t written”

Eudora Welty

Anyone can write. Few revise well. Revision is essential. It is much more than spell-check and grammar adjustments. Revision is ensuring the story you are telling is clear. Rarely is misinterpretation the mistake of a reader. The job of writers is to ensure readers do not do any heavy lifting. Any skewed reading, comes from bad writing. How does the writer ensure the message they are conveying is interpreted clearly? You guessed it; revision. No one sits down and writes a novel by the seat of their pants in one long first and final draft. If they do, the writing will be garbage, regardless of talent. I would not count on being the exception.

Related Post

The Day god Died: Chapters I & II

“…I hated him and his kind. I hated his affluence, his expensive clothes, his chiseled looks, and the arrogance he was born too. But most of all, I hated the power he held over me, his assumption of authority, and the truth of his superiority.”

Revision is where the real magic happens.

Starting over sucks. I dread it. All who write dread it. My stomach turns at the thought. But understand this, the rewards of revising will outweigh the pains. You will be shocked. Learn to enjoy the process. Here are some questions you can ask about your work:

  • Why should my reader turn the first page to the second? Does the first sentence, paragraph, page introduce tension? If not, red alarm.
  • Is there unnecessary summary? Cut. Cut. Cut! I too often have the impulse to cover too much ground. It destroys energy and I find, I tell more than show. This is a bad thing. The whole premise of writing prose, is to show not tell. A concept I will elaborate on with a later post.
  • Is it original? Stereotypes are lazy. A good writer will extract any cliches and make a point to show the exact and honest.
  • Is it clear? Ambiguity and mystery are one of the pleasures of literature. But there is a fine line between mystery and sloppiness. I love characters rich with contradictions. That is the human condition. But I often have to start off with a more simple reality. Then I can build out the imaginative. Have your character answer these: Where are we? When are we? Who are they? How do things look? What time of day or night is it? Weather? What is happening? On how to create captivating characters, check out: Create Captivating Characters
  • Is it self-conscious? Just tell the story. Your style will follow of itself. But you have to just tell the story. If you get carried away dressing your prose with all your wit and insight, there is a good chance you are having more fun writing that the reader will have reading. Good writing is easy reading! Just tell the story.
  • Where is it too long? In fiction, you want sharpness, economy, and vivid details in telling. With every sentence, say what you mean to say and get out. Hit it and quit it. Use the fewest possible words. What does this look like? My advice, read the poets. Trust me, the poets will teach you everything.
  • Are there too many scenes? Try and tell your story with the fewest possible scenes. It is tempting to give each turn of plot or change of setting a new scene when fusing several together would proffer better effect.
  • Where is it too general? Look for general and vague terms. Write instead a particular thing, an exact size and degree. In fact, my short tip, cut the words very and really out of your work entirely. You are welcome!

Related Posts:

Writing

I’m starting 2022 intending to grow. Help me grow as an artist and influencer and follow.

Revision, revision, revision. Originality, economy, and clarity all come from thorough revision. These questions are just the start and short of taking a creative writing class, they will serve you well.

Remember in fiction, the goal is to show characters doing things. Never tell what you mean. I promise if the prose is clear and concise, the reader will not misinterpret. You write for the reader. If you forget that, you have lost your way.

Book Review: On Writing, by Stephen King

Photo: Goodreads

On Writing: A Memoir of the Craft by Stephen King

My rating: 4 of 5 stars


I will start by saying I am not, and I have never been a fan of Stephen King. Not for any other reason than I do not enjoy horror. However, the craft is the craft, and his take on writing was just too appealing to place back on the shelf.

The first one-hundred pages are about how he developed as a writer. This memoir is not a waste of time, and any reviews that suggest otherwise are your C- dreamers. I gained a deeper respect for Mr. King, and his work ethic—which is why he is a success; he simply sacrificed all he could to write.

Like, King, I too read seventy-five plus books a year, and because of this book, I have now spent several weeks waking up at 5:30am to write a specific word count before I do anything else. Not only is this an empowering—I waltz around the house all day feeling accomplished—strategy, but, I am writing. Yes, that’s right, nothing gets in my way. I have this book to thank for the kick-in-the-butt.

I, also, believe his craft-advice for the words on page are well thought out. I am an English major, and his advice pretty much falls on the same lines—cut adverbs, write actively, etcetera. What makes his approach different, is his strategy of writing with the door closed (first draft). Get the story on the page without critics, without advice, without help, without anyone knowing anything—don’t even tell your partner what is on the page. He even shares excerpts of his own crappy first draft writing, and then his revising strategy—second drafts are shown to his most trusted readers, and they can give their thoughts. It is refreshing to see his first draft is just like the rest of ours: blatantly not ready for anyone’s eyes but the writer’s. It turns out, he is just a regular Joe after all; this is wonderful!

King thrashes the ‘literary elite,’ and their postulations of theory and theme, and shares how efficient and clear prose gets the job done. However, King, like me, was too an English major, and, like me, has a deep love for the language; he loves several different genres, and at one-point shares how much he enjoys Harry Potter—bonus points. I don’t share his anti-elite sentiments, but to each-their-own.

What I took from this book? Stephen King is not superman, and neither does the aspiring writer need to be. King makes it clear, writers are made in the trenches, and those who put their nose to the grindstone, and never let anything stop their writing, succeed.

Of course, I disagree with him on his anti-plotting mentality, but, hey, what works for him (writing situationally), and what works for other artists will be different. He understands, and says as much.

It’s a great kick-in-the-ass book for writers. Buy it, read it, love, read it again, and follow his advice.

*P.S. get up at 5:30am and write till you hit your word count. Who cares if it is garbage? Just write. If you want it enough, you will do it!

—W. Alexander

View all my reviews

Revision, Learn to Love It

Join 717 other subscribers

Anyone can write. Few revise well. Revision is essential. It is much more than spell-check and grammar adjustments. Revision is ensuring the story you are telling is clear. Rarely is misinterpretation the mistake of a reader. The job of writers is to ensure readers do not do any heavy lifting. Any skewed reading, comes from bad writing. How does the writer ensure the message they are conveying is interpreted clearly? You guessed it; revision. No one sits down and writes a novel by the seat of their pants in one long first and final draft. If they do, the writing will be garbage, regardless of talent. I would not count on being the exception.

Related Post

The Day god Died: Chapters I & II

“…I hated him and his kind. I hated his affluence, his expensive clothes, his chiseled looks, and the arrogance he was born too. But most of all, I hated the power he held over me, his assumption of authority, and the truth of his superiority.”

Revision is where the real magic happens.

Starting over sucks. I dread it. All who write dread it. My stomach turns at the thought. But understand this, the rewards of revising will outweigh the pains. You will be shocked. Learn to enjoy the process. Here are some questions you can ask about your work:

  • Why should my reader turn the first page to the second? Does the first sentence, paragraph, page introduce tension? If not, red alarm.
  • Is there unnecessary summary? Cut. Cut. Cut! I too often have the impulse to cover too much ground. It destroys energy and I find, I tell more than show. This is a bad thing. The whole premise of writing prose, is to show not tell. A concept I will elaborate on with a later post.
  • Is it original? Stereotypes are lazy. A good writer will extract any cliches and make a point to show the exact and honest.
  • Is it clear? Ambiguity and mystery are one of the pleasures of literature. But there is a fine line between mystery and sloppiness. I love characters rich with contradictions. That is the human condition. But I often have to start off with a more simple reality. Then I can build out the imaginative. Have your character answer these: Where are we? When are we? Who are they? How do things look? What time of day or night is it? Weather? What is happening? On how to create captivating characters, check out: Create Captivating Characters
  • Is it self-conscious? Just tell the story. Your style will follow of itself. But you have to just tell the story. If you get carried away dressing your prose with all your wit and insight, there is a good chance you are having more fun writing that the reader will have reading. Good writing is easy reading! Just tell the story.
  • Where is it too long? In fiction, you want sharpness, economy, and vivid details in telling. With every sentence, say what you mean to say and get out. Hit it and quit it. Use the fewest possible words. What does this look like? My advice, read the poets. Trust me, the poets will teach you everything.
  • Are there too many scenes? Try and tell your story with the fewest possible scenes. It is tempting to give each turn of plot or change of setting a new scene when fusing several together would proffer better effect.
  • Where is it too general? Look for general and vague terms. Write instead a particular thing, an exact size and degree. In fact, my short tip, cut the words very and really out of your work entirely. You are welcome!

“If you haven’t surprised yourself, you haven’t written”

Eudora Welty

Revision, revision, revision. Originality, economy, and clarity all come from thorough revision. These questions are just the start and short of taking a creative writing class, they will serve you well.

Related Posts:

Writing

I’m starting 2022 intending to grow. Help me grow as an artist and influencer and follow.

Remember in fiction, the goal is to show characters doing things. Never tell what you mean. I promise if the prose is clear and concise, the reader will not misinterpret. You write for the reader. If you forget that, you have lost your way.

My goal here is to share what I am learning with others. I would love for you to follow my blog and join my journey. I also wanted to ask you something. I am thinking of creating a photography page on my blog. I love urban photography. Let me know if you think it would be a good idea or not?